Night457 wrote: Wed Sep 10, 2025 2:17 am
At least I managed to intuit the general direction of your post, without knowing that particular job.
Yep, you have guessed what it means!
I don't read the end credits closely either, but sometimes I do look at them, and sometimes I could pick up some interesting information.
I was thinking of cases where a filmmaker deliberately chooses a style that could be interpreted as "bad" or at least annoying: with digital footage made excessively grainy, imitating camera shutter flashing or lens flares, or given odd colors.
Yes, I hate those over-the-top attention-grabbing practices, that make things worse, not better. If some skills aren’t applied with the right touch, they risk feeling excessive and gimmicky, which can distract more than enhance. And I would be very tired of them doing it if that was the case.
I really do not want the camera or the recording medium to call attention to itself.
Precisely. They serve the image and the story rather than proclaiming a military embodiment of superiority. To use a poor analogy, even if you were to use a very high-end and expensive equipment to filming poop, it still wouldn't become appetizing or look palatable.
than a 4KUHD of a modern movie that leaves me cold
It's true, there's always no shortage of scumbags with excellent equipment and superb resources, but will never be able to produce work that has a warmth to it. I understand what you're saying, and I hate those just as much, they waste everything. Yes, those restored old movies are great, and people shouldn't prefer watch old movies cause they have no choice...